Jasper Fforde’s The Eyre Affair is unlike any book I’ve ever read before.
That’s meant as a pretty high compliment, but really, it could have gone either way. When I first dove into the alternate reality of Thursday Next, I wasn’t sure on which side of that phrase I was going to emerge. The story was always original, but a little too much so at first. Unlike the Harry Potter series to which it is so often compared (on its own book cover, at least), I found Fforde’s compendium of new vocabulary words, versions of reality, and outrageous names hard to keep track of. Add to the list the fact that everything, everything is a pun or witty twist of some long-forgotten literary piece you’d read ages ago (and thus, constantly trying to remember), and you end up spending the first third of the book thinking too much.
Ah, but you see, the thing is…I couldn’t put it down. I found that once I stopped trying so hard to keep track of everyone except Thursday Next and her nemesis Archeron Hades, the story seemed suddenly cozy and easy to follow. The wit seemed wittier, the jokes seemed funnier, and while there were a few characters I never did manage to keep straight, I did laugh out loud at a few of their names. Where else, dare I ask, will you ever find a villain called Jack Schitt?
There was even one part of the story where I wanted to almost fall-in and join the scene (something that seems to mysteriously happen to characters in The Eyre Affair). In fact, this scene was so amazingly, back-clappingly wonderful that I wonder why no one has thought of doing this here locally. I’m sure someone will point out that we do, and I’d welcome it. So go ahead and correct me. Anyway, the background is that our clever and capable heroine, Thursday Next, has moved home due to a work transfer, and has run in to her former-fiance. They agree to go out for old times’ sake and end up at a local dive: a community theater that runs only Richard III…in an interactive, Mystery Science Theater 3000 sort of way. Put another way, they perform “Will’s Richard II, for the audience, to the audience, BY THE AUDIENCE!” To drive home the fanaticism with which the novel’s inhabitants takes their literature and the community theater takes its “R3,” the leads for this showing were there for the 200th time – and not just as viewers. The couple “had played Dick the shit twenty-seven times and Creepy Clarence twelve times [and] Lady Anne thirty-one times and Margaret eight times.” We’re talking a cult following here, and here’s why it’s my favorite part:
Richard opened his mouth to speak and the whole audience erupted in unison:
“When is the winter of our discontent?”
“Now,” replied Richard with a cruel smile, “is the winter of our discontent…”
A cheer went up to the chandeliers high in the ceiling.
And then:
“…made glorious summer by this son of York,” continued Richard, limping to the side of the stage. On the word “summer” six hundred people placed sunglasses on and looked up at an imaginary sun.
“…and all the clouds that lower’d upon our house in the deep bosom of the ocean, buried…”
“When were our brows bound?” yelled the audience.
“Now are our brows bound with victorious wreaths,” continued Richard, ignoring them completely.”
And still more:
“…to the lascivious please of a lute…” continued Richard, saying “lute” loudly as several other members of the audience gave alternative suggestions.
“Piano!” shouted out one person near us. “Bagpipes!” said another. Someone at the back, missing the cue entirely, shouted in a high voice, “Euphonium!” halfway through the next line and was drowned out when the audience yelled: “Pick a card!” as Richard told them that he “was not shaped for sportive tricks…”
I want that. I want to grab a group of my girlfriends and run off on Friday night to a broken down, paint-peeled, beer-serving theater for the 100th time and compete for snarkiest audience contribution. How could you not a love a book that sports a cast of characters so witty, fun-loving, and gosh-darned chummy? Fforde’s charm grows throughout the story. I found myself itching to get back into it once I got the basic lingo down (or threw it out, either way). It may not be a book I’d add to the few I read every year, but I heartily recommend it to you. Just go with the flow and don’t read half of the praise touted all over the cover or you’ll spend most of your journey trying to figure out what the hell anyone is talking about instead of enjoying the flavor and charm that’s all its own.